lelu: 美國國家藝廊　National Gallery of Art Part IV

從這篇正式進入國家藝廊的印象派畫作

Jacques-Louis David <The Emperor Napoleon in His Study at the Tuileries> 1812

<拿破崙在杜伊勒里宮書房>

歷史歷史

Auguste Renoir <Diana> 1867

雷諾瓦<黛安娜>

早期的雷諾瓦作品，雷諾瓦以描繪女性形體出名

這幅畫充分表現了雷諾瓦風格歷史

Auguste Renoir <Mademoiselle Sicot> 1865

雷諾瓦 <Portrait of Edmond Maitre> 1869

Camille Pissarro <Boulevard des Italiens, Morning, Sunlight> 1897

<義大利大道，早晨，陽光>

畢沙羅晚期的畫作

Camille Pissarro <Place du Carrousel, Paris> 1900

Auguste Renoir <Pont Neuf, Paris> 1872

Camille Pissarro <Hampton Court Green> 1891

彩典畫來了！所謂彩點畫就是歷史

喜歡寫生畫的畢沙羅，畫都呈現一片祥和沉穩的狀態

包含上一張的 Boulevard des Italiens, Morning, Sunlight也是

攘來熙往的街頭，看起來卻充滿了緩慢舒服的感覺

莫內的盧昂主教堂系列......

Claude Monet <Waterloo Bridge, London, at Dusk> 1904

印象派發揮到極致了....

近看橋上似乎有人影！

Camille Pissarro <The Artist's Garden at Eragny> 1898

Claude Monet <The Bridge at Argenteuil> 1874

難得有張非系列畫的莫內了

Claude Monet <The Japanese Footbride> 1899

莫內的日本橋系列，Blogger的看倌們應該是不陌生了

Auguste Renoir <Oarsmen at Chatou> 1879

Auguste Renoir <Girl with a Hoop> 1883

Claude Monet <Woman with a Parasol - Madame Monet and Her Son> 1875

<撐傘的女人- 莫內夫人及其子>

莫內最著名的畫作之一

Vincent van Gogh <Roses> 1890

梵谷自殺那年的畫作之一

梵谷在畫家生涯的最高峰結束自己的生命吧...

這樣的油彩用法，也只有晚期的梵谷了

Vincent Van Gogh <The Olive Orchard> 1889

橄欖樹的枝葉向上，和絲柏一樣

似乎像是晚期重度憂鬱症的梵谷

心中那股熊熊向上的抑鬱之火

Paul Gauguin <Fatata te Miti> 1892

高更的畫作

Paul Gauguin <Self-Portrait> 1889

高更的自畫像

Auguste Renoir <Odalisque> 1870

雷諾瓦<宮女>

一看解說牌才發現這竟然是雷諾瓦的畫

和雷諾瓦其他或作風格迥異吧

來看看是怎麼一回事...

Three years before Odalisque won a place in the Salon, an annual government-sponsored exhibition in Paris, the Salon jury had rejected Renoir's Diana. The same model, Lise Tréot, posed for both works. The female nude masked as a mythological subject had offended conservative jurors. But Lise's turn in Odalisque--overtly eroticized even though fully clothed--met with their approval. Such exotic fantasy proved to be popular during the 1870s.

Renoir's painting owes a considerable debt to Eugène Delacroix's Women of Algiers (Louvre, Paris, 1834). Delacroix traveled extensively in North Africaand subsequently produced paintings inspired by the region and its artifacts. Renoir first visited Algeria ten years after painting Odalisque. Objects represented in it, such as the ceramic ware, pillows, textiles, and clothing, were most likely European products inspired by Islamic designs. Renoir sought to invoke a mood rather than depict a specific time and place.

-excerpt from National Gallery of Art

畫中的模特叫Lise Treot

原來是雷諾瓦看了令一位畫家Eugene Delacroix (德拉克羅瓦歷史)的畫作後受到啟發

德拉克羅瓦去過北非，因此畫作充滿了異國風

當時還未去過非洲或遠東的雷諾瓦畫了這幅畫

直到10年後才親自到了阿爾及利亞

而畫中的枕頭和服式等等，推測可能其實是歐洲製的

話說這位德拉克羅瓦就是畫了蕭邦肖像的畫家